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Kino Lorber holds a yearly Noirvember sale [14] on all their film noir titles every November. In 2016 and 2017, the blog for popular screenwriting website The Black List hosted a series of articles for Noirvember focusing on classic film noir written by prominent screenwriters and filmmakers such as Amber Tamblyn , Josh Olson , Richard Kelly ...
The Maid (2005 film) The Maid (2009 film) Maid in Malacañang; Maid in Manhattan; Maid to Order; The Maid (1991 film) The Maids (film) Mary Reilly (film) A Matter of Time (film) Milagros (film) Mothering Sunday (film) Murderous Maids
The docks of New Orleans, Louisiana are controlled by Zero Saxon, a notorious racketeer.When former naval officer Dan Corbett arrives in town, wanting to open a shipping business of his own, he accepts a job working for Saxon to make some money, unaware of how corrupt Saxon's operation is.
Riefenstahl's film is also the only one out of the 100 that was not directed by a man. [4] Martin Scorsese also had three films on the list: Taxi Driver (1976), Raging Bull (1980), and Goodfellas (1990). More than any other actor, Robert De Niro had five of his films on the list, including the three directed by Scorsese. [4]
The movie now widely described as the first classic film noir, Stranger on the Third Floor (1940), a 64-minute B, was produced at RKO, which released many additional melodramatic thrillers in a similarly stylish vein. [43] The other major studios also turned out a considerable number of movies now identified as noir during the 1940s.
It is the remake of a 1920 film of the same name, based on the play by Charles William Bell and Mark Swan, which opened on Broadway in New York City on Christmas Eve, 1917 and ran for 232 performances. [2] Parlor, Bedroom and Bath was filmed partly at Keaton's own house. The film is in the public domain due to the copyright not being renewed.
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No Man of Her Own is a 1950 American film noir drama directed by Mitchell Leisen and featuring Barbara Stanwyck, John Lund, Phyllis Thaxter, Jane Cowl and Lyle Bettger. [2] Made and distributed by Paramount Pictures , the production is the second film Stanwyck made with director Mitchell Leisen .
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