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A Nepali woman with a tilaka on her forehead. In Hinduism, the tilaka (Sanskrit: तिलक), colloquially known as a tika, is a mark worn usually on the forehead, at the point of the ajna chakra (third eye or spiritual eye) and sometimes other parts of the body such as the neck, hand, chest, or the arm. [1]
A bindi is a bright dot of some colour applied in the centre of the forehead close to the eyebrows or in the middle of the forehead that is worn in the Indian subcontinent (particularly amongst Hindus in India, Nepal, Bhutan, and Sri Lanka) [3] and Southeast Asia among Balinese, Javanese, Sundanese, Malaysian, Singaporean, Vietnamese, and ...
The art and science of designing temples includes the study of sculpture and the ornamentation of religious significance as described in sacred texts (shilpa shaastra aagamas). In Ancient India twelve years of theoretical and practical training used to be given to the student by an able experienced teacher.
In Hindu tradition, it is often depicted as a fabulous jewel in the possession of Vishnu as the Kaustubha Mani or as on the forehead of the Naga king called as Naga Mani, or on the forehead of the Makara. [citation needed] The Yoga Vasistha, originally written in the 10th century CE, contains a story about the cintamani. [1]
People dip their thumb or ring finger into the heap and apply it on the forehead or between the eyebrows. In most of India, married women apply red kumkuma to the parting of their hair above their forehead every day as a symbol of marriage. This is called vermilion, or in Hindi, sindoor. In India, many unmarried girls wear a bindi every day.
The act of tying the sehra around the groom's head right before he leaves for the bride's house is called sehra bandi.Typically the groom's sisters, female cousins, Bhabhi or sister-in-law are the essential performers of sehra bandi.
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