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In Japanese, haiku are traditionally printed as a single line, while haiku in English often appear as three lines, although variations exist. There are several other forms of Japanese poetry related to haiku, such as tanka, as well as other art forms that incorporate haiku, such as haibun and haiga.
She is widely regarded as one of the greatest poets of haiku (then called hokku). Some of Chiyo's most notable works include "The Morning Glory", "Putting up my hair", and "Again the women". Being one of the few women haiku poets in pre-modern Japanese literature, Chiyo-ni has been seen an influential figure. Before her time, haiku by women ...
Matsuo Bashō's poetry is internationally renowned, and, in Japan, many of his poems are reproduced on monuments and traditional sites. Although Bashō is famous in the West for his hokku, he himself believed his best work lay in leading and participating in renku. As he himself said, "Many of my followers can write hokku as well as I can.
The famous novelist Ihara Saikaku was one of many people not normally associated with either poetry or painting, who took part. By contrast, the nanga painter Yosa Buson, widely considered second only to Bashō as a master of haiku, is said to be "the only artist to be included in surveys both of great poets and great painters in Japanese ...
Shiki is regarded as a major figure in the development of modern haiku poetry, [3] credited with writing nearly 20,000 stanzas during his short life. [4] He also wrote on reform of tanka poetry. [5] Some consider Shiki to be one of the four great haiku masters, the others being Matsuo Bashō, Yosa Buson, and Kobayashi Issa. [6] [7]
The following is a list of Japanese-language poets. Poets are listed alphabetically by surname (or by a widely known name, such as a pen name, with multiple names for the same poet listed separately if both are notable). Small groups of poets and articles on families of poets are listed separately, below, as are haiku masters (also in the main ...
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Virgilio experimented with the haiku form, trying several innovations that other American haiku poets were exploring, including dropping the traditional 5-7-5 syllable count in favor of shorter forms. He sometimes included rhyme in his haiku along with the gritty reality of urban America. A collection of his selected haiku was published in 1985.