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Before and After is a pair of comic paintings by British painter William Hogarth. He made two painted versions in 1730–31. He made two painted versions in 1730–31. The first version showed an exterior scene in a wooded glade, based on contemporary French pastoral fête galante , while a second version moved the scene indoors.
Other terms often used for printed engravings are copper engraving, copper-plate engraving or line engraving. Steel engraving is the same technique, on steel or steel-faced plates, and was mostly used for banknotes, illustrations for books, magazines and reproductive prints, letterheads and similar uses from about 1790 to the early 20th century, when the technique became less popular, except ...
Mezzotint is often combined with other intaglio techniques, usually etching and engraving, including stipple engraving. The process was especially widely used in England from the eighteenth century, and in France was called la manière anglais (“the English manner”).
Marriage à-la-mode, After the old Earl's funeral (scene four of six) In 1743–1745, Hogarth painted the six pictures of Marriage A-la-Mode (National Gallery, London), [38] a pointed skewering of upper-class 18th-century society. An engraved version of the same series, produced by French engravers, appeared in 1745.
Italian and Dutch engraving began slightly after the Germans, but were well developed by 1500. Drypoint and etching were also German inventions of the fifteenth century, probably by the Housebook Master and Daniel Hopfer respectively. [14] [15] In the 15th century, woodcut and engraving served to produce both religious and secular imagery. One ...
Martyrdom of St Sebastian, engraving by the Master of the Playing Cards, c. 1445. Engraving on metal was part of the goldsmith's craft throughout the Medieval period, and the idea of printing engraved designs onto paper probably began as a method for them to record the designs on pieces they had sold. Some artists trained as painters became ...
Before the advent of photolithography, newspapers used wood engravings to make photographic reproductions. An artist "meticulously traced the photograph upon the surface of a block of boxwood or other suitable tree, then used a sharp tool to cut out the troughs (the white part of the photo) from the wood.
A print made in 1907 from a photoengraved plate. It reproduces a sketch of Parga's castle made by Ludwig Salvator.. Photoengraving is a process that uses a light-sensitive photoresist applied to the surface to be engraved to create a mask that protects some areas during a subsequent operation which etches, dissolves, or otherwise removes some or all of the material from the unshielded areas of ...
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