Search results
Results from the WOW.Com Content Network
Japanese poetry such as tanka and haiku are very short and focus on the defining attributes of a scene. "By withholding verbose descriptions the poem entices the reader to actively participate in the fulfillment of its meaning and, as with the Zen gardens, to become an active participant in the creative process."
Many restaurants and homes in Japan are equipped with Western-style chairs and tables. However, traditional Japanese low tables and cushions, usually found on tatami floors, are also very common. Tatami mats, which are made of straw, can be easily damaged and are hard to clean, thus shoes or any type of footwear are always taken off when ...
Japanese children are taught to act harmoniously and cooperatively with others from the time they go to pre-school. This need for harmonious relationships between people is reflected in much Japanese behavior. Many place great emphasis on politeness, personal responsibility and working together for the universal, rather than the individual, good.
Zarei is a bowing etiquette unique to East Asia, which involves bending one's upper body at kneeling, or seiza, position on traditional Japanese style tatami floors. With the Westernization of indoor decoration and lifestyles, zarei is becoming less and less commonly practiced in the daily lives of Japanese people.
A woman in seiza performing a Japanese tea ceremony. Prior to the Edo period, there were no standard postures for sitting on the floor. [1] During this time, seiza referred to "correct sitting", which took various forms such as sitting cross-legged (胡坐, agura), sitting with one knee raised (立て膝, tatehiza), or sitting to the side (割座, wariza), while the posture commonly known as ...
The term iki is commonly used in both conversation and writing, having had a lasting effect on the development and continuation of Japanese aesthetics in the modern day, despite not necessarily being considered exclusive of other categories of Japanese aesthetic concepts and ideals, such as wabi-sabi.
し, in hiragana, or シ in katakana, is one of the Japanese kana, which each represent one mora. Both represent the phonemes /si/, reflected in the Nihon-shiki and Kunrei-shiki romanization si, although for phonological reasons, the actual pronunciation is ⓘ, which is reflected in the Hepburn romanization shi. The shapes of these kana have ...
Sa (hiragana: さ, katakana: サ) is one of the Japanese kana, which each represent one mora. Both represent [sa]. The shapes of these kana originate from 左 and 散, respectively. Like き, the hiragana character may be written with or without linking the lower line to the rest of the character.