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The baritone horn, sometimes called baritone, is a low-pitched brass instrument in the saxhorn family. [2] It is a piston-valve brass instrument with a bore that is mostly conical , like the smaller and higher pitched flugelhorn and tenor horn , but it has a narrower bore compared to the similarly pitched euphonium .
The euphonium is a medium-sized, 3- or 4-valve, often compensating, conical-bore, tenor-voiced brass instrument that derives its name from the Ancient Greek word εὔφωνος euphōnos, [2] meaning "well-sounding" or "sweet-voiced" (εὖ eu means "well" or "good" and φωνή phōnē means "sound", hence "of good sound").
This family includes all of the modern brass instruments except the trombone: the trumpet, horn (also called French horn), euphonium, and tuba, as well as the cornet, flugelhorn, tenor horn (alto horn), baritone horn, sousaphone, and the mellophone. As valved instruments are predominant among the brasses today, a more thorough discussion of ...
The Euphonium was added to the bugle choir around the same time as the mellophone bugle. Euphoniums often feature a larger bore, larger bell throat, and larger bell than the bass-baritone. The Euphonium has been available in D piston configurations with F and F# rotors, F piston and F# rotor configuration, two piston, and three piston ...
B ♭ baritone saxhorn: baritone horn; The B ♭ bass, E ♭ bass, and B ♭ contrabass saxhorns are basically the same as the modern euphonium, E ♭ bass tuba, and BB ♭ contrabass tuba, respectively. Historically, much confusion exists as to the nomenclature of the various instruments in different languages.
Double bell euphonium being played. The double bell euphonium is a duplex instrument based on the euphonium. The larger bell produces the mellow tone of a standard euphonium; the second smaller bell has a brighter tone, similar to a baritone horn or valve trombone. The instrument is sometimes dismissed as a novelty, but has had some ...
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Its common range is similar to that of the euphonium, but its possible range is the same as that of the horn, extending from low F ♯, below the bass clef staff to high C above the treble staff when read in F. These low pedals are substantially easier to play on the Wagner tuba than on the horn.