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"I Don't Know" is a song by English musician Paul McCartney, released by Capitol Records as a double A-side single alongside "Come On to Me", ahead of McCartney's 17th studio album, Egypt Station. [3] [4] McCartney's website described "I Don't Know" as a "plaintive, soul-soothing ballad as only Paul can deliver." [3]
The song is included on several compilations of Mabon's recordings as well as various artists' collections from the period. [5] The 1959 Chess compilation album Oldies in Hi Fi includes "I Don't Know", plus the follow up hits "I'm Mad", and "Poison Ivy." The song was covered by The Blues Brothers in 1978 for their live album Briefcase Full of ...
I don't know is an idiom that means the speaker does not have information or knowledge to answer a question or provide a solution. "I don't know" can also be used to express doubt, disagreement, or uncertainty.
"I Don't Know How to Love Him" is a song from the 1970 album and 1971 rock opera Jesus Christ Superstar written by Andrew Lloyd Webber (music) and Tim Rice (lyrics), a torch ballad sung by the character of Mary Magdalene. In the opera she is presented as bearing an unrequited love for the title character.
With that episode, the use of "I don't know" as the slime's trigger phrase was introduced, and it quickly became the show's trademark gag. Most of the cast did not like getting slimed (Christine McGlade said it was "gross and challenging" [18]), and on occasion, they tried to avoid saying "I don't know." This usually backfired, as in the ...
And when the song comes on, it sounds kinda like "Beat It" to me. So every time it came on, I kept thinking, "Beat It." So I was so happy that the that the chef went on before me.
"He's saying, 'Well, I don't really care; it doesn't matter to me,' which is what the song is about. The audience see's through the performance. They know that underneath it, he is affected and ...
"I Don't Want to Know" has a country music flavor. [4] [5] It is an uptempo song, which recording engineer Ken Caillat describes as "3:16 of high impact energy."[3] Fleetwood Mac biographer Cath Carroll describes the opening of the song as being "unprepossessing" and "almost lumpen."