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The mandala in Nichiren Buddhism is a moji-mandala (文字曼陀羅), which is a paper hanging scroll or wooden tablet whose inscription consists of Chinese characters and medieval-Sanskrit script representing elements of the Buddha's enlightenment, protective Buddhist deities, and certain Buddhist concepts.
Sand mandala (Tibetan: དཀྱིལ་འཁོར།, Wylie: dkyil 'khor, THL kyinkhor; Chinese: 沙壇城/壇城沙畫) is a Tibetan Buddhist tradition involving the creation and destruction of mandalas made from colored sand.
Gohonzon (御本尊) is a generic term for a venerated religious object in Japanese Buddhism.It may take the form of a scroll or statuary. The term gohonzon typically refers to the mainstream use of venerated objects within Nichiren Buddhism, referring to the calligraphic paper mandala inscribed by the 13th Japanese Buddhist priest Nichiren to which devotional chanting is directed.
These were mostly produced in sets and were usually used in earlier stages of training monks, or as initiation cards or offerings, or to use when constructing temporary mandalas. Another related form is the painted wooden top cover for a manuscript book, giving a long narrow strip, typically some 6 cm by 55 cm, often painted with a row of ...
Buddhist art is visual art produced in the context of Buddhism.It includes depictions of Gautama Buddha and other Buddhas and bodhisattvas, notable Buddhist figures both historical and mythical, narrative scenes from their lives, mandalas, and physical objects associated with Buddhist practice, such as vajras, bells, stupas and Buddhist temple architecture. [1]
Vasudhara Mandala, by Jasaraja Jirili, Nepal, 1365. One of the earliest Nepalese representations of Vasudhara is a paubha (textile art depicting Hindu and Buddhist images on course cotton), dating back to 1015 C.E. [13] This pauhba is known as the Mandala of Vasudhara. The goddess is the central image of this mandala, which depicts scenes of ...
Each aspect of Vajrayoginī's form and mandala is designed to convey a spiritual meaning. For example, her brilliant red-colored body symbolizes the blazing of her tummo (candali) or "inner fire" of spiritual transformation as well as life force , blood of birth and menstrual blood. [9]
The Kālacakra deity and his consort reside in the center of the Kālacakra mandala in a palace consisting of four mandalas, one within the other: the mandalas of body, speech, and mind, and in the very center, wisdom and great bliss. [54] The deities of the mandala are classified into various sets of families or clans (kula) as follows: [55]
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