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Ave verum corpus ("Hail, True Body"), K. 618, is a motet in D major composed by Wolfgang Amadeus Mozart in 1791. It is a setting of the Latin hymn of the same name. Mozart wrote it for Anton Stoll, a friend who was the church musician of St. Stephan in Baden bei Wien. The motet was composed for the feast of Corpus Christi; the autograph is ...
Musical settings include Mozart's motet Ave verum corpus (K. 618), [2] as well as settings by William Byrd and Sir Edward Elgar. Not all composers set the whole text. For example, Mozart's setting finishes with "in mortis examine", Elgar's with "fili Mariae". Marc-Antoine Charpentier composed three versions: H.233, H.266, H.329.
Mozart: Grosse Messe c-moll KV 427 is an 86-minute live video album of Wolfgang Amadeus Mozart's Christian vocal works Great Mass in C minor, Ave verum corpus and Exsultate, jubilate, performed by Arleen Auger, Cornelius Hauptmann, Frank Lopardo, Frederica von Stade, the Bavarian Radio Symphony Chorus and the Bavarian Radio Symphony Orchestra under the direction of Leonard Bernstein.
The Missa in honorem Sanctissimae Trinitatis in C major, K. 167, is a mass composed by Wolfgang Amadeus Mozart in June 1773. [1] It is scored for SATB choir, violin I and II, 2 oboes, 2 clarini (high trumpets), 2 trumpets, timpani and basso continuo.
Mozart's Ave verum corpus (K. 618) is this genre. Rameau, Mondonville and Giroust also wrote grands motets. In the 19th century, some German composers continued to write motets. Felix Mendelssohn composed Jauchzet dem Herrn, alle Welt, Denn er hat seinen Engeln befohlen and Mitten wir im Leben sind.
Mozart's Masses with an Accompaniment for the Organ, arranged from the full score by Vincent Novello. London: Gallaway, 1819–1824; The Three Favorite Masses, Composed by Mozart, Haydn, and Beethoven, in Vocal Score, with an Accompaniment for the Organ or Pianoforte, by Vincent Novello. London: Novello, 1850. Ludwig Ritter von Köchel.
Vesperae solennes de Dominica, K. 321, is a sacred choral composition, written by Wolfgang Amadeus Mozart in 1779. It is scored for SATB choir and soloists, violin I and II, 2 trumpets, 3 trombones colla parte, 2 timpani, and basso continuo (bassoon and organ).
Autograph manuscript of the opening page. The Krönungsmesse (German for Coronation Mass) (Mass No. 15 in C major, K. 317; sometimes Mass No. 16), composed in 1779, is one of the most popular of Wolfgang Amadeus Mozart's 17 extant settings of the Ordinary of the Mass.