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Despite Rococo influences in the early 18th century, true Italian Rococo interiors began to be made in the late 1720s and early 1730s. The grace and charm of Rococo furnishing succeeded the heavy and imposing Baroque style. Italian Rococo interior design was in essence copied from that of the Régence and Louis XV styles.
Much furniture was also relatively grotesque (a French variation of the Italian word grottesco), often creating sculpted odd-looking gargoyles and monsters to make these items seem more amusing. [1] Caryatids became popular at the time, and were made out of marble (the rich people used them as legs to their dining tables).
An Italian Baroque bedroom would feature some of the typical classical furnishings, with robust pieces that are heavily carved, and built in pieces in interior spaces. The Palazzo Sagredo bedroom, considered one of the finest examples of interior design from the period, features stucco carved in wood, and an abundance of detail in carvings ...
The Italian architect Aldo Rossi has designed a number of Palazzo style buildings, including Hotel Il Palazzo in Fukuoka, Japan, (1989) which combines elements of a typical palazzo facade, including projecting cornice, with the intense red found in Japanese traditional architecture, and the green of patinated bronze. [9]
His works and ideas proved highly popular in Rome, where they were used as prototypes to furnish the interiors of the Vatican, and later spread throughout the rest of the continent. [ 1 ] Italian Neoclassical furniture was loosely based on that of Louis XVI styles but was made unique by the usage of exaggeratedly shaped backs and necks which ...
In the shot, a few intricately designed blue-and-white plates are seen on the wall behind Carole's husband, Michael, Kate, and her daughter, Charlotte, as they sit at the dining table.
In spite of a few articles of Renaissance furniture procured abroad for the royal family or some of the high nobility, a barbarous mixture of the old and new yet prevailed in England at the period when France enjoyed the accomplished Henry II style, and when Italy reveled in the perfect fantasies of the Italian cinquecento.
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