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His works and ideas proved highly popular in Rome, where they were used as prototypes to furnish the interiors of the Vatican, and later spread throughout the rest of the continent. [ 1 ] Italian Neoclassical furniture was loosely based on that of Louis XVI styles but was made unique by the usage of exaggeratedly shaped backs and necks which ...
Furniture from Piedmont was typically very French in style, Lombardy produced more sober and wooden furnishings, Genoa was known for its rich fabrics and colourful styles, and Venice for its extravagant and luxurious interiors. [1] Italian chairs and sofas were also greatly inspired by the French fauteils, but Italian seats and settees' backs ...
Italian Baroque interior design refers to high-style furnishing and interior decorating carried out in Italy during the Baroque period, which lasted from the early 17th to the mid-18th century. In provincial areas, Baroque forms such as the clothes-press or armadio continued to be used into the 19th century.
At the same time of this period of urbanisation and artistic thought, interior design was heavily affected too, changing nearly completely from that of the Middle Ages. The sumptuous palazzi of noblemen and the middle-classes began to be decorated with tapestries, sculptures, frescos and lavish furniture.
With the fall of Fascism, birth of Republic and the 1946 RIMA exhibition, Italian talents in interior decorating were made evident. With the Italian economic miracle, Italy saw a growth in industrial production and mass-made furniture. Yet, the 1960s and 1970s saw Italian interior design reach its pinnacle of stylishness.
Even of the ceilings conformed to the carved style. There are few grander effects in interior decoration than the intersecting curves and angles of a lofty old Elizabethan ceiling. Of course, in the use of the strap and shield, heraldry and its escutcheons and crests entered largely into the ornament of the Elizabethan.
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Its interior is a mixture of Gothic and Romanesque elements, such as the domed crossing tower, and horizontal banding of the interior columns with polychrome marble. The most striking and original Gothic feature is the decorated screen facade on the west end, with sculptural decoration designed and partly carved by Giovanni Pisano in 1284–1320.
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