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Figure drawing by Leonardo da Vinci. A figure drawing is a drawing of the human form in any of its various shapes and postures, using any of the drawing media. The term can also refer to the act of producing such a drawing. The degree of representation may range from highly detailed, anatomically correct renderings to loose and expressive sketches.
It also may be the earliest extant European drawing of a nude female model. Main article: figure drawing A figure study is a drawing or painting of the human body made in preparation for a more composed or finished work; [ 1 ] or to learn drawing and painting techniques in general and the human figure in particular.
Leonardo da Vinci's Vitruvian Man (c. 1485) Accademia, Venice. Drawing is a visual art that uses an instrument to mark paper or another two-dimensional surface. The instruments used to make a drawing are pencils, crayons, pens with inks, brushes with paints, or combinations of these, and in more modern times, computer styluses with graphics tablets or gamepads in VR drawing software.
Female self-portrait in painting is the representation of a person of the female gender painted by herself. While using pictorial techniques and responding to the motivations of the self-portrait in general, the female self-portrait differentiates itself from the male by aspects concerning the physiognomy , the anatomy and the physiology of the ...
Brazilian street artist Claudio Ethos often sketches his concepts in ballpoint pen before spray-painting the images onto walls or canvas, and includes them in exhibitions. [28] Japanese artist Shohei Otomo has received media attention for his ballpoint pen and magic marker illustrations. [29]
Children are asked to draw a man, a woman, and themselves. No further instructions are given and the child is free to make the drawing in whichever way he/she would like. There is no right or wrong type of drawing, although the child must make a drawing of a whole person each time—i.e. head to feet, not just the face.
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The differences in the face and the rest of the painting are effectively blended by a mastery of sfumato. [3] The art historian Alexander Nagel notes that the sfumato results in the shadows concealing any strokes or marks, and points out how the shadows are softened by careful lighting around them, such as on the left side of the jaw. [ 14 ]