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The second period in Victorian jewellery is known as the Grand period or the mid-Victorian period. [4] This period saw a sharp change in design from delicate to bold which paralleled the changing social roles and representation of women at the time. [4] During this period, imitations of jewellery were prominent and costume jewellery originated. [4]
Holbeinesque jewellery includes pendants, brooches and earrings in the neo-Renaissance or Renaissance Revival style, and once again became fashionable in the 1860s. The designs differ from the older stylised and pious neo-Gothic jewellery, in that they are extravagantly opulent – this richness of form and colour which had appealed to the Tudor court was rediscovered by Victorian jewellers ...
Jewellery (or jewelry in American English) consists of decorative items worn for personal adornment such as brooches, rings, necklaces, earrings, pendants, bracelets, and cufflinks. Jewellery may be attached to the body or the clothes.
The period of sentimentality, characteristic of the Victorian era, offered these craftsmen a new opportunity to earn their income working with hair. Early hair jewelry was usually made for the higher classes in cooperation with goldsmiths, producing beautiful and expensive creations of hair mounted in gold and often decorated with pearls or ...
The chatelaine was also used as a woman's keychain in the 19th century to show the status of women in a wealthy household. The woman with the keys to all the many desks, chest of drawers, food hampers, pantries, storage containers, and many other locked cabinets was "the woman of the household".
Queen Victoria, 1887. The Small Diamond Crown of Queen Victoria is a miniature imperial and state crown made at the request of Queen Victoria in 1870 to wear over her widow's cap following the death of her husband, Prince Albert.
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