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The poem begins with three sections describing the wind's effects upon earth, air, and ocean. In the last two sections, the poet speaks directly to the wind, asking for its power, to lift him up and make him its companion in its wanderings. The poem ends with an optimistic note which is that if winter days are here then spring is not very far.
"Lenten ys come with love to toune" is an anonymous poem, thought to have been composed in the late 13th or early 14th century. [6] It has reached us as one of the Harley Lyrics, a collection of Middle English lyric poems preserved, among much other material, in British Library MS Harley 2253, fol. 71 v. In this folio the text is presented in ...
Spring and All is a hybrid work consisting of alternating sections of prose and free verse.It might best be understood as a manifesto of the imagination. The prose passages are a dramatic, energetic and often cryptic series of statements about the ways in which language can be renewed in such a way that it does not describe the world but recreates it.
The Hounds of Spring is a concert overture for concert band, written by the American composer Alfred Reed in 1980. [1] Reed was inspired by the poem Atalanta in Calydon [2] (1865) by Victorian era English poet Algernon Charles Swinburne, a recreation in modern English verse of an ancient Greek tragedy. According to Reed himself, the poem's ...
The poem is based upon an actual experience of Brontë's. [7] A note stating "Composed in the Long-Plantation on a wild bright windy day", was written in Anne Brontë's hand at the bottom of the manuscript and the "Long-Plantation" was identified by Edward Chitham as a wood to the East of Kirby Hall toward the River Ouse, though there is no ...
Roger Rosenblatt calls it a "clever trick" of a poem, and emphasizes how the nomenclature of the rifle parts "mimics the flowering of spring". [2] Susan Manning considered it to be "a studied, ironic catalogue of some parts of experience silencing others" which "excludes more than it includes", noting the presence of "the beauty of nature and its utter irrelevance to the human struggle".
"The Wind" is cast in a form closely associated with Dafydd, the poem in which a messenger or llatai, usually a bird or animal, is sent to the poet's lover. [17] It is a good example of how Dafydd's works in this form can include a close and warmly-appreciative description of a llatai , even when, as is often the case in Dafydd's poems, he is ...
The poem is remarkable for clear and exact imagery, judicious choice of words and compactness. The diction has a deceptive simplicity. Although the poem describes a typical Indian summer, many critics have commented that the poem is a veiled commentary on the "suffering woman". [1]