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Women's clothes of the Ottoman period in the 'mansions' and Palace courts included 'Entari', 'kuşak', 'şalvar', 'başörtü', and the 'ferace' of the 19th century without much change. In the 16th century, women wore two-layer long 'entari' and 'tül', velvet shawls, on their heads. Their outdoor clothing consisted of 'ferace' and 'yeldirme ...
Turquerie (anglicized as "Turkery"), or Turquoiserie, [1] was the Turkish fashion in Western Europe from the 16th to 18th centuries for imitating aspects of Ottoman art and culture. Many different Western European countries were fascinated by the exotic and relatively unknown culture of the Ottoman ruling class, which was the center of the ...
The second half of the sixteenth century was a period of Ottoman influence in Morocco during which Ahmad al-Mansur, who was greatly influenced by Ottoman culture, adopted Turkish costumes and customs, he introduced Ottoman fashions of dress, his army adopted Turkish costumes and titles and ambassadors even noted the use of Turkish pottery and ...
Arnold, Janet: Patterns of fashion 4: The cut and construction of linen shirts, smocks, neckwear, headwear and accessories for men and women c.1540-1660. Hollywood, CA: Quite Specific Media Group, 2008, ISBN 0896762629. Ashelford, Jane: The Art of Dress: Clothing and Society 1500–1914, Abrams, 1996. ISBN 0-8109-6317-5; Ashelford, Jane.
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16th-century wool carpet from Ushak, Turkey. The art of carpet weaving was particularly significant in the Ottoman Empire, carpets having an immense importance both as decorative furnishings, rich in religious and other symbolism, and as a practical consideration, as it was customary to remove one's shoes in living quarters. [5]
15th–early 16th century talismanic shirt in the Metropolitan Museum of Art. Attributed to North India or the Deccan. Cotton, ink, gold; plain weave, painted. The shirts may be inscribed with verses from Quran, names of Allah and of prophets and with numbers. They may carry images or symbols, e.g. astrological ones.