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Women's clothes of the Ottoman period in the 'mansions' and Palace courts included 'Entari', 'kuşak', 'şalvar', 'başörtü', and the 'ferace' of the 19th century without much change. In the 16th century, women wore two-layer long 'entari' and 'tül', velvet shawls, on their heads. Their outdoor clothing consisted of 'ferace' and 'yeldirme ...
Turquerie (anglicized as "Turkery"), or Turquoiserie, [1] was the Turkish fashion in Western Europe from the 16th to 18th centuries for imitating aspects of Ottoman art and culture. Many different Western European countries were fascinated by the exotic and relatively unknown culture of the Ottoman ruling class, which was the center of the ...
Empire of the Sultans: Ottoman Art of the Khalili Collection was a 1995–2004 touring exhibition displaying objects from the Khalili Collection of Islamic Art.Around two hundred exhibits, including calligraphy, textiles, pottery, weapons, and metalwork, illustrated the art and daily life of six centuries of the Ottoman Empire.
16th-century religious buildings and structures in the Ottoman Empire (1 C) This page was last ...
16th-century wool carpet from Ushak, Turkey. The art of carpet weaving was particularly significant in the Ottoman Empire, carpets having an immense importance both as decorative furnishings, rich in religious and other symbolism, and as a practical consideration, as it was customary to remove one's shoes in living quarters. [5]
15th–early 16th century talismanic shirt in the Metropolitan Museum of Art. Attributed to North India or the Deccan. Cotton, ink, gold; plain weave, painted. The shirts may be inscribed with verses from Quran, names of Allah and of prophets and with numbers. They may carry images or symbols, e.g. astrological ones.
The meaning of "cabinet" began to be extended to the contents of the cabinet; [9] thus we see the 16th-century cabinet of curiosities, often combined with a library. The sense of cabinet as a piece of furniture is actually older in English than the meaning as a room, but originally meant more a strong-box or jewel-chest than a display-case. [10]
Until the 16th century, these motifs remained rather formal and stylized, but from the late 17th century onward they began to change under increasing Western European influence. By the 19th century, European-style motifs were directly incorporated into Ottoman decoration and European techniques such as trompe-l'œil were introduced.
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