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Sonnet 18 (also known as "Shall I compare thee to a summer's day") is one of the best-known of the 154 sonnets written by English poet and playwright William Shakespeare.. In the sonnet, the speaker asks whether he should compare the Fair Youth to a summer's day, but notes that he has qualities that surpass a summer's day, which is one of the themes of the poem.
William Shakespeare [a] (c. 23 [b] April 1564 – 23 April 1616) [c] was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon" (or simply "the Bard").
[2]: 1–5 14 August 1600 – Shakespeare's play The Chronicle History of Henry the fifth is entered into the Register of the Stationers' Company. The spoken epilogue is written in the form of a sonnet. [51] 20 May 1609 – The entry in the Stationers' Register announces Shakespeare's Sonnets. The contents include a collection of 154 sonnets ...
An anthology of 20 poems collected and published by William Jaggard that were attributed to "W. Shakespeare" on the title page, only five of which are considered authentically Shakespearean. The Phoenix and the Turtle: 1601 A Lover's Complaint: 1609 Shakespeare's Sonnets: 1609 A Funeral Elegy: 1612 No longer attributed to Shakespeare by most ...
The Complete Works of William Shakespeare is the standard name given to any volume containing all the plays and poems of William Shakespeare.Some editions include several works that were not completely of Shakespeare's authorship (collaborative writings), such as The Two Noble Kinsmen, which was a collaboration with John Fletcher; Pericles, Prince of Tyre, the first two acts of which were ...
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In 1990 Dutch composer Jurriaan Andriessen set the poem to a mixed chamber choir setting. Rufus Wainwright's "Sonnet 43", the sixth track on his album All Days Are Nights: Songs for Lulu (2010), is a musical setting of the sonnet. In 2004 Flemish composer Ludo Claesen set this poem to a setting for chamber music (flute, piano and soprano-solo).
Sonnet 128,like Sonnet 8, suggests the octave of the scale as well as, in the case of 128 the 12 notes on the keyboard inside each octave (an association first recognized and described in detail by Fred Blick, in "Shakespeare's Musical Sonnets, Numbers 8, 128 and Pythagoras", 'The Upstart Crow, A Shakespeare Journal', Vol. XIX, (1999) 152–168.)