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The concept of a love marriage is not a novelty in India, as it is regarded to be the equivalent of the gandharva marriage, which is still perceived as not righteous today. Hindu literature does indicate that love marriages were recognised and accepted in ancient times, for example, the legend of Dushyanta and Shakuntala in the Mahabharata ...
The Ananga Ranga (Hindi: अनंगरंग, lit. 'Stage of Love or Stage of the Bodiless One') or Kamaledhiplava (Hindi: कमलेधिप्लव, lit. 'Boat in the Sea of Love') is an ancient Indian Sanskrit text written by Kalyana malla in the 15th or 16th century.
'seven circumambulations'), is regarded to be the most important rite (Sanskrit: rītī) of a Hindu wedding ceremony. In this rite, the bride and the groom tie a knot and take seven steps together, or complete seven rounds around a sacred fire, accompanied by one vow for each step. After the seventh, the marriage is considered complete. [1] [2]
By the Special Marriage Act, 1954, a Hindu can marry a person who is not Hindu, employing any ceremony, provided specified legal conditions are fulfilled. By Section 7 of Hindu Marriage Act, and tradition, no Hindu marriage is binding and complete before the seventh step of the saptapadi ritual, in presence of fire, by the bride and the groom ...
In Mahabharata, one of two major epics of Hindus, Rishi Kanva, the foster father of Shakuntala, recommends Gandharva marriage with the statement “The marriage of a desiring woman with a desiring man, without religious ceremonies, is the best marriage.” [9] Elsewhere in Mahabharata (iii:190.36), the epic says “No man any longer asks for ...
Chitralekha is a slim volume with a narrative that is woven around a love story, and reflects on various aspects of human life. The story commences with a dialogue between the revered hermit Ratnakar (रत्नाकर) and his disciples, Shwetaank (श्वेतांक) and Vishaldev (विशालदेव), discussing the sins of humanity.
[5] [4] In post-Puranic epic poems in Sanskrit and Hindi, she has been described as "chaste and revered" and with a character that is "unblemished, inspiring and worthy of imitation". [ 2 ] [ 3 ] In the Hindu culture , there are several beliefs, practices and traditions centred on Arundhati including a ritual in the marriage ceremony after the ...
Indian and Pakistani culture teaches the concept of Pati Parmeshwar / Majazi Khuda, in which the husband is regarded by his wife as being next to God. [1] [2]Pati Parmeshwar (Hindi: पति परमेश्वर, Urdu: پتی پرمیشور), also called Majazi Khuda (Hindi: मजाज़ी ख़ुदा, Urdu: مجازی خدا), is a concept in South Asia that teaches that the ...