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The Egg was designed in a typical Jacobsen style, using state-of-the-art material. It is believed to be inspired by Eero Saarinen 's "Womb chair", from which it borrows some traits. Related to the Egg is the Swan chair and, to some degree, many of Jacobsen's plywood chairs such as "7", the Ant, the Cigar, the Grand Prix-chair, the Pot, the Drop ...
Shades of green dominate the entire design. Jacobsen, who was also working as a landscape architect 1955-1960, pursued a "modern garden" theme. He implemented this theme using green textiles and furniture combined with "organic shapes" and rigid geometric forms. [7] Jacobsen has created several furniture, lighting and textile designs.
Arne Jacobsen's No. 7 chair is known for being the prop used to hide Christine Keeler's nakedness in the iconic photograph of her taken by Lewis Morley in 1963. [28] Morley just happened to use a chair that he had in the studio, which turned out to have been a copy of Jacobsen's design.
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Egg chair, designed by Arne Jacobsen for Fritz Hansen resembles an egg; Electric chair, a device for capital punishment by electrocution; a high-backed chair with arms and restraints, usually made of oak; An example of an Elijah's chair, used at Jewish circumcisions Elijah's chair, a chair set aside for the prophet Elijah at Jewish circumcision ...
Along with the Swan, Jacobsen also developed the Egg chair and other furniture much of which did not get into mass production, like the Drop. The Swan couch is still in production. [2] Jacobsen not only used the Swan for the SAS Royal Hotel, he also used it for his following projects like Danmarks Nationalbank.
Fritz Hansen was founded in 1872, when Fritz Hansen, a Danish carpenter, founded his own furniture company and in 1915 introduced his first chair in steam bent wood. In 1934, Fritz Hansen began his collaboration with Arne Jacobsen resulting in some of the famous, classic icons of Danish Design including the ' Ant ' (1952), the ' Series 7 ...
The chair is widely believed to have been used in Lewis Morley's iconic 1963 photograph of Christine Keeler; however, the chair used in this photograph was an imitation and not an original Jacobsen model. [2] [3] The Keeler chair had a hand hold cut in the back. After the publishing of the pictures, sales of the chair rose dramatically. [4 ...