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Carl August Sandburg (January 6, 1878 – July 22, 1967) was an American poet, biographer, journalist, and editor. He won three Pulitzer Prizes: two for his poetry and one for his biography of Abraham Lincoln.
Chicago Poems established Sandburg as a major figure in contemporary literature. [5] Chicago Poems, and its follow-up volumes of verse, Cornhuskers (1918) and Smoke and Steel (1920) represent Sandburg's attempts to found an American version of social realism, writing expansive verse in praise of American agriculture and industry.
Pages in category "Poetry by Carl Sandburg" The following 4 pages are in this category, out of 4 total. ... Chicago (poem) Chicago Poems; F. Fog (poem) P. The People, Yes
"Chicago" is a poem by Carl Sandburg about the city of Chicago that became his adopted home. It first appeared in Poetry , March 1914, the first of nine poems collectively titled "Chicago Poems". It was republished in 1916 in Sandburg's first mainstream collection of poems, also titled Chicago Poems .
Poetry by Carl Sandburg (4 P) R. Recordings by Carl Sandburg (2 P) Pages in category "Works by Carl Sandburg" The following 2 pages are in this category, out of 2 total.
The Letters of Carl Sandburg (Harcourt Brace, 1968). The Chicago Race Riots of 1919 (Harcourt, Brace and Howe, 1969). Ever the Winds of Chance (University of Illinois Press, 1983). Carl Sandburg at the Movies (Scarecrow Press, 1985). The Poet and the Dream Girl: The Love Letters of Lilian Steichen & Carl Sandburg (University of Illinois Press ...
I am astounded at the completely inadequate discussion of CS' poetry under "Works." The only full-length book mentioned is a collection of children's poems so minor in the poet's oeuvre that some scholars don't even include it - where works of major influence like Chicago Poems and The People, Yes! are not even mentioned.
Initially greeted with scorn by critics and newspaper editors in the city of its gaze (The Chicago Daily News famously called it a "Case for Ra(n)t Control"), it is now widely regarded by scholars as a definitive prose portrait of the city of Chicago, although it has never rivaled the literary status of Carl Sandburg's 1916 poem "Chicago".