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The chord consists of a diminished triad plus the diminished seventh above the root. These four notes form a stack of three intervals which are all minor thirds.Since stacking yet another minor third returns to the root note, the four inversions of a diminished seventh chord are symmetrical.
The half-diminished seventh chord is frequently used in passages that convey heightened emotion. For example, the "mournful affect" [5] of the sombre opening Chorus of J. S. Bach's St Matthew Passion (1727) features the chord on the seventh beat of its first bar and on the first beat of its third bar:
In major scales, a diminished triad occurs only on the seventh scale degree.For instance, in the key of C, this is a B diminished triad (B, D, F). Since the triad is built on the seventh scale degree, it is also called the leading-tone triad.
IV-V-I-vi chord progression in C major: 4: Major I–V–vi–IV: I–V–vi–IV chord progression in C: 4: Major I–IV– ♭ VII–IV I–IV– ♭ VII–IV. 3: Mix. ii–V–I progression
b7–a–e–b7; this progression is simplified by playing the sevenths as major chords. [ 36 ] The twelve-bar blues structure is used by McCartney's "3 Legs", [ 32 ] which was noted earlier.
The most common chords are tertian, constructed using a sequence of major thirds (spanning 4 semitones) and/or minor thirds (3 semitones). Since there are 3 third intervals in a seventh chord (4 notes) and each can be major or minor, there are 7 possible permutations (the 8th one, consisted of four major thirds, results in a non-seventh augmented chord, since a major third equally divides the ...
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A barre chord ("A♯ minor"), with the index finger used to bar the strings. A, E major barre chord, then open E major chord. Play open E-major chord arpeggio,
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