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Pentax F 17–28 mm f /3.5–4.5 Fisheye – This lens was born for 35 mm full frame film cameras, to take the place of the 16 mm f/2.8 in the AF era. It starts from a 17 mm full-frame (diagonal) fisheye. When it reaches 28 mm, the fisheye effect is almost gone, leaving an overdistorted wideangle image. It was intended as a "special effect ...
The Fish-Eye Rokkor 16mm f/2.8 is a prime fisheye lens produced by Minolta for Minolta SR-mount single lens reflex cameras, introduced in 1969 to replace an earlier fisheye lens, the UW Rokkor 18mm f/9.5. It is a full-frame fisheye lens with a 180° viewing angle across the diagonal. This lens was licensed by Leitz and released for Leica R ...
[73] [74] Asahi Optical followed by releasing the first "full-frame" fisheye lens in 1963, the Fish-eye-Takumar 18 mm f /11, which had a 180° angle of view across the frame diagonal. [75] Fisheye photographs became popular for album covers starting from the mid-60s and have continued to influence the music industry. [76]
Retail info. MSRP. 1000 USD (as of 2006) Originally produced by Minolta, and currently produced by Sony, the AF Fish-Eye 16mm, is a prime Fisheye lens compatible with cameras using the Minolta A-mount and Sony A-mount lens mounts. It is a full-frame fisheye lens with a 180° viewing angle.
The UW Rokkor 18mm f/9.5 is a prime fisheye lens produced by Minolta for Minolta SR-mount single lens reflex cameras, introduced in 1966 as the system's first fisheye lens.It is a full-frame fisheye lens with a 180° viewing angle across the diagonal, and was replaced when the Minolta Fish-Eye Rokkor 16mm f/2.8 lens was released in 1969.
DT lenses will not fully illuminate the sensor/film area of 24×36mm full-frame cameras. Three DT lenses were made and sold by Konica Minolta: 11–18, 18–70, and 18–200mm. G "Gold" series, Minolta's line-up of high-grade lenses. The "G" status does not occur as label on the lenses, but is indicated by a decorating ring on the lens. High Speed