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Distributed creativity is a sociocultural framework for understanding how creativity emerges from the interactions of people, objects and their environment. It is a response to cognitive accounts of creativity exemplified by the widely used four Ps framework. According to Vlad Petre Glǎveanu, "instead of an individual, an objects or a place in ...
Getting to Yes: Negotiating Agreement Without Giving In is a best-selling 1981 non-fiction book by Roger Fisher and William Ury. [1] Subsequent editions in 1991 [2] and 2011 [3] added Bruce Patton as co-author. All of the authors were members of the Harvard Negotiation Project. The book suggests a method of principled negotiation consisting of ...
Socratic questioning (or Socratic maieutics) [1] is an educational method named after Socrates that focuses on discovering answers by asking questions of students. According to Plato, Socrates believed that "the disciplined practice of thoughtful questioning enables the scholar/student to examine ideas and be able to determine the validity of those ideas". [2]
Divisionism, also called chromoluminarism, is the characteristic style in Neo-Impressionist painting defined by the separation of colors into individual dots or patches that interact optically. [1][2] By requiring the viewer to combine the colors optically instead of physically mixing pigments, Divisionists believed that they were achieving the ...
In the visual arts, style is a "... distinctive manner which permits the grouping of works into related categories" [1] or "... any distinctive, and therefore recognizable, way in which an act is performed or an artifact made or ought to be performed and made". [2] Style refers to the visual appearance of a work of art that relates to other ...
The written style is laconic, and has few grammatical particles. While the ideas are singular, the style is poetic, combining two major strategies: short, declarative statements, and intentional contradictions, encouraging varied, contradictory interpretations.
English art is the body of visual arts made in England.England has Europe's earliest and northernmost ice-age cave art. [1] Prehistoric art in England largely corresponds with art made elsewhere in contemporary Britain, but early medieval Anglo-Saxon art saw the development of a distinctly English style, [2] and English art continued thereafter to have a distinct character.
Non-English language titles are generally only to be used if they are used by most art historians or critics writing in English – e.g. Las Meninas or Les Demoiselles d'Avignon. In that case they should be used in the form used by most art historians writing in English, regardless of whether this is actually correct by the standards of the ...