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122 1991 Born. 123 1992 Born. 124 1993 Born. ... This is a list of Turkish musicians, ... Music of Turkey; References This page ...
Hasan Saltık (pronounced [hasan saɫtɯk]; 1964 – 2 June 2021 [1]) was a Turkish record producer.He was the 1991 founder of Kalan Müzik, a Turkish independent record label company based in Istanbul specialized in releasing Saltık's recordings of traditional ethnic and folk music from Turkey and vicinity, sometimes against governmental opposition.
Turkey was represented at the Eurovision Song Contest 1991 with the song "İki Dakika", composed by Şevket Uğurluer, with lyrics by Aysel Gürel, and performed by İzel Çeliköz, Reyhan Karaca, and Can Uğurluer. The Turkish participating broadcaster, Türkiye Radyo ve Televizyon Kurumu (TRT), selected its entry through a national final.
The album, Sen Ağlama, triggered the rise of Turkish pop music and led to the emergence of pop music as a strong rival to Turkish Arabesque music that was monopolized in the period. In the 90's, he was the music director of the albums by Aşkın Nur Yengi, Bülent Ortaçgil, Harun Kolçak, Nilüfer, Zerrin Özer, Zuhal Olcay and Ayşegül Aldinç.
The Turkish Five; Cemal Reşit Rey (1904–1985), symphonic music, operas, chamber music, operettas and musicals; Ulvi Cemal Erkin (1906–1972), symphonic music, choral music, solo piano, chamber music; Ahmed Adnan Saygun (1907–1991), symphonic music, oratorio, choral music, chamber music, opera, ballet music; Bülent Arel (1919–1990)
This is a list of notable events in music that took place in the year 1991. Specific locations ... Music for the People: ... Turkish composer and musicologist, 83;
Hasret Şükrü Gültekin (1 May 1971 – 2 July 1993) was a Kurdish–Turkish musician and poet. [2] He was murdered in the Sivas massacre, along with 34 other people in the Sivas Province of Turkey when an Islamist mob set fire to the Madımak Hotel. He was Alevi. [3] [4]
There are records of Turkish people calling into Egyptian, Crimean, and Haifan radio stations requesting Turkish songs they were used to listening to, since The Middle East already consumed and re-created a lot of Turkish Music since the rise of the Ottoman Empire in the middle of the millennium. [17]