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The expatriate American poet Ezra Pound in 1913; Pound collected poems from eleven poets in his first anthology of Imagist poetry, Des Imagistes, published in 1914. Imagism was a movement in early-20th-century poetry that favored precision of imagery and clear, sharp language.
The poem was first published in 1913 and is considered one of the leading poems of the Imagist tradition. Pound's process of deletion from thirty lines [6] to only fourteen words typifies Imagism's focus on economy of language, precision of imagery and experimenting with non-traditional verse forms.
The poetic devices and rich imagery used by MacLeish help make clear the theme(s) of the work. The most central theme to “Ars Poetica” is the goal of a poem, which MacLeish identifies as captivating a reader in the same way a painting or sculpture captures audiences. However, a poem's purpose is not the only theme touched on in the work.
[32] With these views in mind, the poem recalls Keats's earlier view of pleasure and an optimistic view of poetry found within his earlier poems, especially Sleep and Poetry, and rejects them. [33] This loss of pleasure and incorporation of death imagery lends the poem a dark air, which connects "Ode to a Nightingale" with Keats' other poems ...
Charles Lamb provided Coleridge on 15 April 1797 with a copy of his "A Vision of Repentance", a poem that discussed a dream containing imagery similar to those in "Kubla Khan". The poem could have provided Coleridge with the idea of a dream poem that discusses fountains, sacredness, and even a woman singing a sorrowful song. [48]
Poetry (from the Greek word poiesis, "making") is a form of literary art that uses aesthetic and often rhythmic [1] [2] [3] qualities of language to evoke meanings in addition to, or in place of, literal or surface-level meanings. Any particular instance of poetry is called a poem and is written by a poet.
The poem in BL Add. MS 14997, a manuscript dating from c. 1500. The academic critic Huw Meirion Edwards considered that "The Seagull"’s imagery goes far beyond anything that had come before it in Welsh poetry, [7] and Anthony Conran wrote that "pictorially it is superb…[it] has the visual completeness, brilliance and unity of a medieval illumination, a picture from a book of hours". [8]
Imagery is visual symbolism, or figurative language that evokes a mental image or other kinds of sense impressions, especially in a literary work, but also in other activities such as. Imagery in literature can also be instrumental in conveying tone .