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The song thất lục bát (雙七六八, literally "double seven, six eight") is a Vietnamese poetic form, which consists of a quatrain comprising a couplet of two seven-syllable lines followed by a Lục bát couplet (a six-syllable line and an eight-syllable line). Each line requires certain syllables to exhibit a "flat" or "sharp" pitch.
Catholics at a Ho Chi Minh City church, praying Hail Mary in đọc kinh style. Đọc kinh (Vietnamese: [ʔɗawk͡p̚˧˨ʔ kïŋ˧˧]) is the Vietnamese Catholic term for reciting a prayer or sacred text.
The song is in the key of E ♭ major, playing at 175 bpm with a running time of four minutes and 14 seconds. [citation needed] Lyrically, Tabudlo defined how the track is about self-pity, heartbreak, and unrequited love, despite one's efforts. [2] [14] [15] He added how he wrote the song for listeners to cry to “but in a good way". [16]
Brigadier General Daniel Butterfield. The tune is a variation of an earlier bugle call known as the "Scott Tattoo", which was used in the U.S. from 1835 until 1860.[8] [9] It was arranged in its present form by the Union Army Brigadier General Daniel Butterfield, a Medal of Honor recipient. [2]
"Double Tap" is a song recorded by American singer-songwriter Jordin Sparks, featuring Atlanta based rapper 2 Chainz. The song was released by Louder Than Life & Sony Music on March 3, 2015, as the lead single from Sparks' third studio album Right Here Right Now (2015).
Most of the songs were influenced and sampled from funk artists such as Marvin Gaye, Parliament, and Funkadelic, but one track in particular was influenced by other genres, "Beautiful But Deadly," a rock-hip hop track, influenced by Run-D.M.C. with a heavy guitar riff throughout the song (it borrows from Funkadelic's Cosmic Slop).
The Crickets covered the song on the album California Sun / She Loves You and on the Liberty Records single. Lee Dorsey covers this song on his 1982 compilation album All Ways Funky. Les Double Six recorded the song on their 1964 album, The Double Six of Paris Sing Ray Charles. The Everly Brothers covered the song on the album Beat & Soul ...
Different versions of the song have also been recorded by famous named such as Shirley Collins, Silly Sisters (Maddie Prior and June Tabor), John Jacob Niles, Doc Watson, [22] and Ewan MacColl. Julie Felix recorded a version in 1966 which bears a resemblance to Jean Ritchie 's traditional recording (1949).