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The music for the historical fiction-romance streaming television series Bridgerton, on the novel series of the same name by Julia Quinn, features an orchestral and classical score composed and produced by Kris Bowers and orchestral covers of contemporary popular music, [1] [2] performed by Vitamin String Quartet, Dunno and Bowers himself. [3]
Nielsen Media Research, analyzing the 2.55 billion minutes viewed on United States television screens in the first three days of season 2's availability (double all others across streamers for the week of March 21), characterized Bridgerton's audience as "diverse and broad". The firm found one third of viewers to be Hispanic or African American ...
Here's every song on the Yellow soundtrack from Season 1 to Season 5, including country favorites from Willie Nelson, John Prine, Kacey Musgraves, Jason Isbell and more
Episode 1—A Thundering “What Comes Naturally” by Blackberry Smoke “My Diamond Is Too Rough” by Ryan Bingham “Conquer” by Kind “Ain’t Much Left of Me” by Blackberry Smoke
Bridgerton, adapted from Julia Quinn’s eight-book Regency romance series, premiered on Netflix in 2020, and fans quickly recognized orchestral covers of pop hits, including Ariana Grande’s “Tha
The series follows the conflicts along the shared borders of the Yellowstone Dutton Ranch, a large cattle ranch, the Broken Rock Indian reservation, Yellowstone National Park, and land developers. The series was renewed for a fifth season to be split into two installments; the first part aired as eight episodes, to be followed with the second ...
Bridgerton, adapted from Julia Quinn’s eight-book Regency romance series, premiered on Netflix in 2020, and fans quickly recognized orchestral covers of pop hits, including Ariana Grande’s
Kris Bowers, who scored both the first and second seasons of Bridgerton, also worked on two original soundtrack projects for the series through Sony Music. [3] The first one, Queen Charlotte: A Bridgerton Story (Soundtrack from the Netflix Series), was supervised by Bowers, with co-production by Max Wrightson and co-writing of some tracks by Alec Sievern and Michael Dean Parsons.
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