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In the 1980s, samples were incorporated into synthesizers and music workstations, such as the bestselling Korg M1, released in 1988. [12] The Akai MPC, released in 1988, had a major influence on electronic and hip hop music, [25] [11] allowing artists to create elaborate tracks without other instruments, a studio or formal music knowledge. [11]
The court case had a major effect on hip hop music. Sample clearance fees prohibited the use of more than one or two samples for most recordings, with some mechanical rights holders demanding up to 100% of royalties.
Hip hop does not simply draw inspiration from a range of samples, but it layers these fragments into an artistic object. If sampling is the first level of hip hop aesthetics, how the pieces or elements fit together constitute the second level. Hip hop emphasizes and calls attention to its layered nature.
In dance or hip hop music sampling, chopping is the "altering [of] a sampled phrase [or break] by dividing it into smaller segments and reconfiguring them in a different order." (Schloss 2004, p. 106)
"BBL Drizzy" samples an artificial intelligence-generated track, released on April 14, of the same name by comedian King Willonius. [1] It is the first notable example of AI sampling in mainstream hip-hop music, according to Billboard. [2]
Hip hop music can incorporate elements of classical music, either using live instruments or with recorded samples. Early examples of classical music instrumentation in hip hop date to the 1990s. In the 2000s, artists such as Nas, Kendrick Lamar, The Black Violin, and DJ Premier began to prominently use classical music elements. [1]
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