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I. I Can Hear Music; I Can Never Go Home Anymore; I Do (The Castells song) I Got You Babe; I Just Don't Know What to Do with Myself; I Just Wasn't Made for These Times
The Wall of Sound (also called the Spector Sound) [1] [2] is a music production formula developed by American record producer Phil Spector at Gold Star Studios, in the 1960s, with assistance from engineer Larry Levine and the conglomerate of session musicians later known as "the Wrecking Crew".
Upload file; Special pages; Permanent link; Page information; Cite this page; ... Wall of Sound is the twelfth studio album by the American guitarist Marty Friedman, ...
A year later, Wall of Sound – along with Starwave sites such as Mr. Showbiz, NBA.com and NASCAR Online – was part of a joint e-commerce initiative between ABC and ESPN. [3] The Wall of Sound offices were located in Smith Tower in central Seattle. [4] The website was named after American producer Phil Spector's Wall of Sound production ...
Harsh noise wall, also known as wall noise, noise wall, or HNW, is an extreme subgenre of noise music, described by music journalist Russell Williams as "a literal consistent, unflinching and enveloping wall of monolithic noise". [1] Harsh noise wall features noises layered together to form a static sound. Harsh noise wall musician Sam McKinlay ...
Tearing Down the Wall of Sound is a biography of record producer Phil Spector, written by Mick Brown and published in 2007. Between 1961 and 1966, Spector's so-called "Wall of Sound" made him the most successful pop-record producer in the world, with more than 20 hits by artists such as The Righteous Brothers, The Crystals, and the Ronettes. [1]
Wall of Sound is a British independent record label based in London, England, and was founded by Mark Jones in 1994. They were considered to be "at the center of the revolution" of the big beat movement in the mid- to late-1990s, [1] releasing much of the UK material at the height of the scene alongside Brighton's Skint Records. [1]
The Wall of Sound was an enormous sound reinforcement system designed in 1973 specifically for the Grateful Dead's live performances. The largest concert sound system built at that time, [1] [2] the Wall of Sound fulfilled lead designer Owsley "Bear" Stanley's desire for a distortion-free sound system that could also serve as its own monitoring ...