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A stamp from a 1950s-era Bellotti Cymbal. Bellotti was a small Italian cymbal workshop that produced cymbals from the 1950s until the 1970s. [2]Because so few of these vintage cymbals exist on the market today (they are much less prevalent that some other vintage Italian contemporaries, such as Zanchi), Bellotti remains one of the more obscure names in cymbal manufacturers.
The new cymbals he developed were widely adopted by swing and later bebop musicians, laying the foundations of the modern drum kit and playing technique. [9] Sales of Zildjian cymbals dramatically increased after Ringo Starr used the product in The Beatles' appearance on The Ed Sullivan Show in 1964. [29] This created an enormous backorder ...
In 1974 Meinl was the first cymbal company to offer pre-pack cymbal sets. [2] Meinl's initial cymbal production focused on low-budget cymbals, and it wasn't until 1984 with the "Profile Series" that Meinl started to really focus on professional-level cymbals. [3] The first Meinl pro series was the "King-Beat Series", introduced in 1976. [2]
In 1926 a worker for the Tronci family, Fiorello Zanchi, left the company to start a new cymbal manufacturer with Manlio Biasei, the "Zanchi & Biasei" company. A number of cymbals manufacturers were founded in Pistoia after the First World War, starting a competition. [2] UFIP Natural Series 14" hi-hats
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Istanbul Agop Cymbals is a cymbal producer based in Turkey. Its products are well respected for their unique sound, [ 2 ] which is formed by the method and the alloy used, the formula of which is known only to the owners of the firm , Armenians Arman and Sarkis Tomurcuk.
Born in Milton, Massachusetts, Armand Zildjian was the first Zildjian to be born in the United States. Armand was the heir of a cymbal-making tradition that dated back to his ancestor Avedis, who began the company in 1623 in Istanbul. By family tradition, the secrets of cymbal making were passed on only to the oldest son, but Armand's father ...
Heavier cymbals have a louder volume, more cut, and better stick articulation (when using drum sticks). Thin cymbals have a fuller sound, lower pitch, and faster response. The profile of the cymbal is the vertical distance of the bow from the bottom of the bell to the cymbal edge (higher profile cymbals are more bowl-shaped).
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