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Caffenol is a photographic alternative process whereby phenols, sodium carbonate and optionally vitamin C are used in aqueous solution as a film and print photographic developer. [ 1 ] [ 2 ] Other basic (as opposed to acidic ) chemicals can be used in place of sodium carbonate; however, sodium carbonate is the most common.
The Meaning of Life is a 35mm animated short film, written and directed by Don Hertzfeldt in 2005. The twelve-minute film is the result of almost four years of production and tens of thousands of drawings, single-handedly paper animated and photographed by Hertzfeldt.
Semiotics of photography is the observation of symbolism used within photography or "reading" the picture. This article refers to realistic, unedited photographs not those that have been manipulated in any way. Roland Barthes was one of the first people to study the semiotics of images. He developed a way to understand the meaning of images.
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Douglas R. Nickel, [15] curator of the San Francisco Museum of Modern Art’s Snapshots: The Photography of Everyday Life, 1888 to the Present, [16] was the first to begin to articulate what it means to “find” a photo: [A]ctual snapshots are taken with objectives only peripherally related to those of high art. . . .
Conceptual photography is often used interchangeably with fine-art photography, and there has been some dispute about whether there is a difference between the two. However, the central school of thought is that conceptual photography is a type of fine-art photography. [4] Fine art photography is inclusive of conceptual photography.
Writing for The Guardian, Tim Radford commented, "Carroll builds up his narrative in brief, very readable chapters, a precept, an axiom or a physical law at a time. . Naturalism – he doesn’t favour the word atheism – defines the world entirely in terms of physical forces, fields and entities, and these forces and fields are unforgiving: they do not permit telekinesis, psychic powers ...
Rephotography or repeat photography is the act of photographing the same site twice, with a time lag between the two images; a diachronic, "then and now" view of a particular area. Some are casual, usually taken from the same view point but without regard to season, lens coverage or framing.