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Chimera is a 1972 fantasy novel written by American writer John Barth, composed of three loosely connected novellas. The novellas are Dunyazadiad , Perseid and Bellerophoniad , whose titles refer eponymously to the mythical characters Dunyazad , Perseus and Bellerophon (slayer of the mythical Chimera ).
John Simmons Barth (/ b ɑːr θ /; [1] May 27, 1930 – April 2, 2024) was an American writer best known for his postmodern and metafictional fiction. His most highly regarded and influential works were published in the 1960s, and include The Sot-Weed Factor, a whimsical retelling of Maryland's colonial history; Giles Goat-Boy, a satirical fantasy in which a university is a microcosm of the ...
Lost in the Funhouse was nominated for the National Book Award (Barth would win the award for his next book, Chimera, in 1973). [16] Among Barth's detractors, John Gardner wrote in On Moral Fiction that Barth's stories were immoral and fake, as they portrayed life as absurd. [6]
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The book is subtitled "An old time epistolary novel by seven fictitious drolls & dreamers each of which imagines himself factual." The structure is such that when the first character of each of the letters in the book are placed on a calendar according to their dates, and the individual months are turned sideways, they spell out the subtitle.
Premiering at the Sundance Film Festival just days after Trump clarified his Make America Great Again agenda, Sophie Hyde’s “Jimpa” is a film about progress, not going back. Inspired by ...
Like so many things in “La Chimera,” O'Connor's performance is entrancing and confounding. How can a movie be so nimbly poised between past and present, you can't help but wonder.
The essay depicted literary realism as a "used up" tradition; Barth's description of his own work, which many thought nailed a core trait of postmodernism, is "novels which imitate the form of a novel, by an author who imitates the role of Author". He also stated that the novel as a literary form was coming to an end.
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