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The most popular folk dance, however, is the lam vong (ລຳວົງ [lám.wóŋ]). It is the national dance of Laos, and versions of it exist throughout the Lao-speaking region and even Cambodia, where it is known as ramvong. A slow and graceful couples dance, the men form an inner circle and the women an outer circle, with couples dancing ...
One of the most striking features of Indian classical dance and dances of Thailand, [1] Cambodia, Laos, Myanmar and the Malay world is the use of hand gestures. Speaking in dance via gestures in order to convey outer events or things visually is what mudras do. To convey inner feelings, two classifications of mudras (hand or finger gesture) are ...
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Pages for logged out editors learn more. Contributions; Talk; Dance and theater of Laos
Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Pages for logged out editors learn more
Buddhist motifs dominate Lao decorative art forms. Sculpture is among the most prominent form of traditional Lao art. Sculptures of the Buddha were traditionally cast in bronze, silver, gold or thong which is a gold and silver alloy. Wooden Buddha images were made by individuals seeking merit are common at the local village level.
Mor lam (Lao: ໝໍລຳ; Isan: หมอลำ [mɔ̌ː lám]; Thai: หมอลำ, RTGS: mo lam, [mɔ̌ː lām]) is a traditional Lao form of song in Laos and Isan. Mor lam means 'expert song', or 'expert singer', referring to the music or artist respectively. Other romanisations used include mor lum, maw lam, maw lum, moh lam, mhor lum ...
In his Traditional Music of the Lao, Terry Miller identifies five factors which helped to produce the various genres of lam or dance in Isan: animism, Buddhism, story telling, ritual courtship, and male-female competitive folk music. One of these is Lam Phi Fa, the Phi Fa dance. [3] Lam Phi Fa, together with Lam Phuen is one of the oldest genres.
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