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Curtain rods can be made of many materials including wood, metal and plastic. They are available in a variety of styles and designs. While many curtain rods are simple straight poles, there are also curved and hinged options. These designs facilitate installation in bay windows, around curved walls, and in corners.
The very top of a finial can be a floral or foliated element called a bouquet. [4] Smaller finials in materials such as metal or wood are used as a decorative ornament on the tops or ends of poles or rods such as tent-poles or curtain rods or any object such as a piece of furniture. These are frequently seen on top of bed posts or clocks.
A compound crown molding built up out of several individual trim elements Decorative pilaster of natural cherry hardwood topped with crown molding Crown molding may be a complex build-up of multiple trim elements, in this case built-out slightly above a window with short 90-degree returns The relief on this short 90-degree return of crown molding was back-cut with a coping saw
In a curtain wall screen, however, the mullions only support the weight of the transoms, glass and any opening vents. Also in the case of a curtain wall screen the weight of glazing can be supported from above (providing the structure can take the required loads) this puts the mullions under tension rather than compression.
The most important stone pagoda having a finial is the hōkyōintō. Usually made in stone and occasionally metal or wood, hōkyōintō started to be made in their present form during the Kamakura period. Like a gorintō, they are divided in five main sections, of which the sōrin is the uppermost. [12] Its components are, from the top down ...
Molding material: The material that is packed around the pattern and then the pattern is removed to leave the cavity where the casting material will be poured. Flask: The rigid wood or metal frame that holds the molding material. Cope: The top half of the pattern, flask, mold, or core. Drag: The bottom half of the pattern, flask, mold, or core.
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