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Australian official war artists, 1916–1918 by George Coates, 1920. Oil on canvas, 124.2 x 104.5 cm. The group portrait presents, left to right: front — George Bell; standing — John Longstaff, Charles Bryant, George Washington Lambert, A. Henry Fullwood, James Quinn, H. Septimus Power, Arthur Streeton; and seated back — Will Dyson, Fred Leist.
Elizabeth Durack (1915–2000): Western Australian artist and writer; Ivan Durrant (born 1947): painter, performance artist and writer; Benjamin Duterrau (1768–1851): English painter, etcher, engraver, sculptor and art lecturer who emigrated to Tasmania; Ludwik Dutkiewicz (1921–2008): Ukrainian-born naturalized Australian artist [1]
Upon returning to Australia, Longstaff continued to paint and teach art. He enlisted in the Australian Imperial Force at the outbreak of the First World War and was injured in the Gallipoli campaign. In October 1915 he joined a remount unit and served in France and Egypt before being evacuated to England in 1917. In England, he began drawing ...
Lambert became an official Australian war artist in 1917 during the First World War. [2] His painting Anzac, the landing 1915 of the landings on the Gallipoli peninsula in Turkey, is the largest painting at the Australian War Memorial collection. Lambert, as an honorary captain, travelled to Gallipoli in 1919 to make sketches for the painting. [1]
Harold Septimus Power, usually known as H. Septimus Power or H. S. Power (31 December 1877 – 3 January 1951), was a New Zealand-born Australian artist, who was an official war artist for Australia in World War I.
Anzac, the Landing 1915 is a painting by Australian artist George Washington Lambert, composed between 1920 and 1922.The painting depicts the landing at Anzac Cove by the Australian and New Zealand Army Corps on 25 April 1915 during the Gallipoli Campaign during World War I.
James Quinn standing fifth from the left in this group portrait of Australian official war artists, 1916-1918 by George Coates, 1920. Oil on canvas, 124.2 x 104.5 cm. The painting presents, left to right: front — George Bell; standing — John Longstaff, Charles Bryant, George Washington Lambert, A. Henry Fullwood, Quinn (leaning over Leist), H. Septimus Power, Arthur Streeton; and seated ...
Menin Gate at Midnight (also known as Ghosts of Menin Gate) is a 1927 painting by Australian artist Will Longstaff. The painting depicts a host of ghostly soldiers marching across a field in front of the Menin Gate war memorial. [1] The painting is part of the collection of the Australian War Memorial in Canberra. [2]
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