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"Mona Lisa Overdrive" is a composition in B-flat minor, featured in the movie The Matrix Reloaded, during the highway chase scene. It is written by Don Davis in collaboration with the electronica act Juno Reactor, representing a blend of film score music and trance.
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This use of the piece, and the chase scenes themselves, have been parodied in many other films and TV shows, including Get a Life, [18] the 2006 film V for Vendetta, in the 2015 Doctor Who episode "The Girl Who Died" (with a character referring to the song as the "Benny Hill Theme") and the animated TV shows The Simpsons, Family Guy, South Park ...
A music download is the digital transfer of music via the Internet into a device capable of decoding and playing it, such as a personal computer, portable media player, MP3 player or smartphone. This term encompasses both legal downloads and downloads of copyrighted material without permission or legal payment.
Both have been used in numerous cartoons. The first theme, sometimes referred to as "Powerhouse A", is a frantic passage typically employed in chase and high-speed vehicle scenes to imply whirlwind velocity. The slower theme, "Powerhouse B", is the "assembly line" music, which sometimes accompanies scenes of repetitive, machine-like activity.
The basic layout is a single-paned playlist interface with two retractable drawers, one for navigating the user's music folders and another for viewing audio file properties, like bitrate. Along with supporting most audio formats compatible with macOS's Core Audio API, Cog supports a wide array of other audio formats, along with their metadata ...
It is notable for featuring a 40-minute car chase scene, the longest in film history, during which a total of 93 cars were destroyed. [ 2 ] Gone in 60 Seconds has become a cult film in the years since its release, and a loose remake with new characters and a different plot was released in 2000, starring Nicolas Cage and Angelina Jolie .
"Chase" (also known as "The Chase") is a 1978 instrumental composition by Italian music producer Giorgio Moroder. It was released as a single during 1978 from his Academy Award-winning soundtrack album Midnight Express (1978), and was a disco instrumental that was subsequently extended and released as a maxi single.