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Sweeney Agonistes by T. S. Eliot was his first attempt at writing a verse drama although he was unable to complete the piece. In 1926 and 1927 he separately published two scenes from this attempt and then collected them in 1932 in a small book under the title Sweeney Agonistes: Fragments of an Aristophanic Melodrama.
A harmonic motif is a series of chords defined in the abstract, that is, without reference to melody or rhythm. A melodic motif is a melodic formula , established without reference to intervals . A rhythmic motif is the term designating a characteristic rhythmic formula, an abstraction drawn from the rhythmic values of a melody.
In music composition, fragmentation is the use of fragments or the "division of a musical idea (gesture, motive, theme, etc.) into segments".It is used in tonal and atonal music, and is a common method of localized development and closure.
Elementa harmonica (Ἁρμονικὰ στοιχεῖα in Greek; Elements of Harmonics in English) is a treatise on the subject of musical scales by Aristoxenus, of which considerable amounts are extant.
The Strongbox" (1998 TV episode), the 170th episode of Seinfeld; The Strongbox Chronicles, a book written as Cate Dermody by C. E. Murphy; ... Code of Conduct;
Aristoxenus was born at Tarentum (in modern-day Apulia, southern Italy) in Magna Graecia, and was the son of a learned musician named Spintharus (otherwise Mnesias). [2] He learned music from his father, and having then been instructed by Lamprus of Erythrae and Xenophilus the Pythagorean, he finally became a pupil of Aristotle, [3] whom he appears to have rivaled in the variety of his studies.
The game follows an alternate storyline from the end of the first arc of the original story, in which a glitch causes Kirito and the other players to remain in Sword Art Online despite defeating Heathcliff, and players from other VRMMORPGs, such as second and third arc protagonists Leafa and Sinon, get sucked into the game themselves.
With Skydancer, Dark Tranquillity aimed to write a death metal album that incorporated melody and counterpoint, as well as complex song structures.The songs are heavily dense with “20+ riffs that never are repeated in the same way” according to Sundin, and feature elements unusual for a death metal album such as clean vocal and acoustic guitar sections.