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SoundExchange was created as a division of the RIAA in 2000. In 2001, major record labels and artists agreed on a standard for paying royalties earned from cable and satellite music services, and SoundExchange made its first payment, distributing $5.2 million in royalties to recording artists and labels. [2]
Music Reports, a US-based music rights licensing company; Motion Picture Licensing Corporation (MPLC) SESAC, a US-based performance rights association; SoundExchange, a digital performance rights association (non-interactive radio) Pro Music Rights, a US-based performance rights association
The Mechanical Licensing Collective (MLC) is a nonprofit organization established under the Music Modernization Act of 2018. [1] It was created to issue blanket mechanical licences for qualified streaming services in the United States, such as Spotify , Apple Music , Amazon Music , and Tidal .
SoundExchange has promoted Tim Dadson to general counsel, which will find him overseeing the comprehensive legal functions of the organization, including regulatory issues, enforcement programs ...
SoundExchange, the top digital royalty collection and distribution agency for the music industry, has filed a lawsuit against SiriusXM to recover an estimated $150 million in unpaid royalties and ...
The Allocation for Music Producers (AMP) Act was introduced by Rep. Joseph Crowley on February 6, 2017 as H.R. 881.The bill designates that SoundExchange, the non-profit organization established by Congress to distribute royalties on sound recordings, will also distribute part of those royalties to "a producer, mixer, or sound engineer who was part of the creative process that created [the ...
Dave Chappelle took the stage at Studio 8H for the new year’s inaugural episode of “Saturday Night Live,” marking his fourth time hosting the show. He walked out onstage wearing a suit and ...
The licensing services provided by a PRO arguably provide advantage to customers, who can simultaneously license all works the PRO represents. Criticisms PROs have been criticised for charging non-profit organisations for their use of copyrighted music in situations where the non-profit organisation was not earning money from the use.