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Teesri Kasam (transl. The Third Vow) is a 1966 Hindi language drama film directed by Basu Bhattacharya and produced by lyricist Shailendra. It is based on the short story Mare Gaye Gulfam, by the Hindi novelist Phanishwarnath Renu. The film stars Raj Kapoor and Waheeda Rehman. The duo Shankar–Jaikishan composed the film's score.
The only film Shailendra produced is Teesri Kasam (1966). Directed by Basu Bhattacharya and starring Raj Kapoor and Waheeda Rehman, it was an adaptation of Phanishwar Nath Renu's famous short story Maare Gaye Ghulfam. [22] The film is today regarded as a cult classic and won the National Film Award For the Best Film. [23]
Basu Bhattacharya (1934 – 19 June 1997) was an Indian film director of Hindi films. [2] [3] He is perhaps best known for his 1966 film Teesri Kasam, starring Raj Kapoor and Waheeda Rehman (based on the short story "Maare Gaye Gulfam" by Phanishwar Nath 'Renu'), which won the National Film Award for Best Feature Film in 1967.
"Paan Khaye Saiyan Hamaro" (English: "My Darling Eats Betel-leaf") is a Hindi song from the Indian film Teesri Kasam (1966). It was composed by Shankar Jaikishan and penned by Shailendra. The song was sung by Asha Bhosle and picturised on Waheeda Rahman. [1] It went on to become one of the most popular Hindi songs.
Nabendu Ghosh (27 March 1917 – 15 December 2007) was an Indian author in Bengali literature, and screenwriter.He has written screenplays of classic Bollywood movies like, Sujata, Bandini, Devdas, Majhli Didi, Abhimaan and Teesri Kasam.
Title Director Cast Genre Notes Aakhri Khat: Chetan Anand: Rajesh Khanna, Indrani Mukherjee: Drama: Music: Khayyam, Lyrics: Kaifi Azmi Aasra: Satyen Bose: Mala Sinha ...
From January 2008 to December 2012, if you bought shares in companies when Clyde R. Moore joined the board, and sold them when he left, you would have a -2.4 percent return on your investment, compared to a -2.8 percent return from the S&P 500.
Basu Chatterjee (10 January 1927 – 4 June 2020) was an Indian film director and screenwriter in Hindi Cinema. Through the 1970s and 1980s, he became associated with what came to be known as middle cinema or middle-of-the-road cinema filmmakers, such as Hrishikesh Mukherjee and Basu Bhattacharya, whom he assisted on Teesri Kasam (1966). Like ...