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This is a list of cover versions by music artists who have recorded one or more songs written and originally recorded by English rock band The Beatles.Many albums have been created in dedication to the group, including film soundtracks, such as I Am Sam (2001) and Across the Universe (2007) and commemorative albums such as Sgt. Pepper Knew My Father (1988) and This Bird Has Flown (2005).
PopMatters ' Peter Piatkowski wrote that "despite the rockstar affectations, Rockstar is a country-pop album that hopscotches through various genres" including disco on "Heart of Glass" and, although there are "wildly divergent styles represented on the record, Parton doesn't seem lost or adrift, even if her beautiful trill is shoved in front ...
Beatles album Original artist Ref. "Anna (Go to Him)" 1963 Please Please Me: Arthur Alexander "Chains" The Cookies "Boys" The Shirelles "Baby It's You" The Shirelles "A Taste of Honey" Billy Dee Williams "Twist and Shout" The Top Notes "Till There Was You" With the Beatles: Sue Raney "Please Mr. Postman" The Marvelettes "Roll Over Beethoven ...
Some album covers prove controversial due to their titles alone. When the Sex Pistols released Never Mind The Bollocks…in 1977, a record shop owner in Nottingham named Chris Searle was arrested ...
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The Fab Four's last new song debuted Thursday as a double A-side single, paired with The Beatles' 1962 debut UK single, “Love Me Do."
The gameplay in Rock Band 2 is nearly identical to the original Rock Band, while also comparable to that in Guitar Hero. The game disc features 84 songs, all of which are master recordings. [2] In addition, the game supports existing downloadable content from Rock Band, as well as tracks which have been exported from other Rock Band game discs. [3]
By the mid-1960s, the Beatles became interested in tape loops and found sounds. [36] [37] Early examples of the group sampling existing recordings include loops on "Revolution 9" [37] (the repetitive "number nine" is from a Royal Academy of Music examination tape, some chatter is from a conversation between George Martin and Apple office manager Alistair Taylor, and a chord from a recording of ...