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The matrices, which are relief gelatine images on a film support (one for each subtractive primary color) absorb dye in proportion to the optical densities of the gelatin relief image. Successive placement of the dyed film matrices, one at a time, "transfers" each primary dye by physical contact from the matrix to a mordanted, gelatin-coated ...
Kinemacolor (1908–1914), Technicolor processes 1 through 4 (1917–1954), and Cinecolor used one, two or three strips of monochrome film stock sensitized to certain primary colors or exposed behind color filters in special cameras.
AD strips are dye-coated paper strips that can detect and measure the severity of vinegar syndrome in film collections. The strips change color, shifting from a blue to green to level, based on the level of acidity found. If the AD strip level remains at blue, the film is in good condition and no deterioration is present.
Ap-41 process (pre-1978 Agfa color slides; 1978-1983 was a transition period when Agfa slowly changed their color slide films from AP-41 to E6) Anthotype; Autochrome Lumière, 1903; Carbon print, 1862; Chromogenic positive E-3 process; E-4 process; E-6 process; Chromogenic negative C-41 process; RA-4 process; Dufaycolor; Dye destruction ...
The strips can then be rearranged and laid out sequentially to represent the order one wants to film in, providing a schedule that can be used to plan the production. [1] This is done because most films are shot "out of sequence," meaning that they do not necessarily begin with the first scene and end with the last. [ 2 ]
In his feature film The Aviator (2005), Martin Scorsese seamlessly blended colorized stock footage of the Hell's Angels movie premiere with footage of the premiere's reenactment. The colorization by Legend Films was designed to look like normal three-strip film but was then color corrected to match the two-strip look of the premiere's reenactment.
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As a bipack color process, the photographer loaded a standard camera with two film stocks: an orthochromatic strip dyed orange-red and a panchromatic strip behind it. The orthochromatic film stock recorded only blue and green, and its orange-red dye (analogous to a Wratten 23-A filter) filtered out everything but orange and red light to the panchromatic film stock.