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Basotho women generate litema on the outer walls and inside of homesteads by means of engraving, painting, relief mouldings and/or mosaic. Typically the geometric patterns are combed or scratched into the wet top layer of fresh clay and dung plaster of the wall, and later painted with earth ochers or, in contemporary times, manufactured paint.
One thing that has changed since the beginning of house painting and present-day wall art is their styles. [citation needed] At the beginning of house painting, their symbols and patterns were often based on Ndebele's beadwork. The patterns were tonal and painted with the women's fingers. The original paint on the house was a limestone whitewash.
"Creating textured walls with paint is a fantastic way to add depth, texture, and character to a room," says Ginger Curtis, principal of Texas-based firm Urbanology Designs. It's also a great way ...
Al-Qatt Al-Asiri (also called nagash painting or majlis painting), is a style of South Arabian art, typically painted by women in the entrance to a home. It originated in the 'Asir Region of Saudi Arabia where the front parlour of traditional Arab homes typically contained wall paintings in the form of a mural or fresco with geometric designs ...
The vertical zones would be divided up by geometric motifs or bases, or slender columns of foliage hung around candelabra. In this particular style, more wall space is left plainly colored, with no design. When designs were present, they tended to be small, plain pictures or scenes such as a candelabrum or fluted appendages. [6]
Pieter Cornelis Mondriaan (Dutch: [ˈpitər kɔrˈneːlɪs ˈmɔndrijaːn]; 7 March 1872 – 1 February 1944), known after 1911 as Piet Mondrian (/ p iː t ˈ m ɒ n d r i ɑː n /, US also /-ˈ m ɔː n-/, Dutch: [pit ˈmɔndrijɑn]), was a Dutch painter and art theoretician who is regarded as one of the greatest artists of the 20th century.
Plains women traditionally paint abstract, geometric designs. [2] [3] Bright colors were preferred and areas were filled with solid fields of color. Cross-hatching was a last resort used only when paint was scarce. Negative space was important and designs were discussed by women in terms of their negative space. Dots are used to break up large ...
In Uttar Pradesh, the term chowk-poorana refers to decorating the floor with various designs using flour and rice [2] and also the walls using designs specific to the region. [ 3 ] Similarly, according to Aryan (1983), the term chowk-poorana in Punjab refers to floor art and mud wall painting.
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