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The Nunc dimittis [1] (English: / n ʊ ŋ k d ɪ ˈ m ɪ t ɪ s /), also known as the Song of Simeon or the Canticle of Simeon, is a canticle taken from the second chapter of the Gospel of Luke, verses 29 to 32. Its Latin name comes from its incipit, the opening words, of the Vulgate translation of the passage, meaning "Now you let depart". [2]
Luke 2 is the second chapter of the Gospel of Luke in the New Testament, traditionally attributed to Luke the Evangelist, a companion of Paul the Apostle on his missionary journeys. [1] It contains an account of Jesus 's birth in Bethlehem , "its announcement and celebration", [ 2 ] his presentation in the Second Temple , and an incident from ...
The Song of the Theotokos (Magnificat: Luke 1:46–55); The Song of Zacharias (the Benedictus Luke 1:68–79) The Prayer of Simeon (Nunc dimittis Luke 2:29–32) Following the Song of the Three Youths and the Prayer of Simeon there are sets of hymns as well as other texts which are proper to the commemoration of the day or of the liturgical season.
T. S. Eliot in 1920, in a photo taken by Lady Ottoline Morrell. In 1925, Eliot became a poetry editor at the London publishing firm of Faber and Gwyer, Ltd., [4]: pp.50–51 after a career in banking, and subsequent to the success of his earlier poems, including "The Love Song of J. Alfred Prufrock" (1915), "Gerontion" (1920) and "The Waste Land" (1922). [5]
For example, according to Luke 2:11 Jesus was the Christ at his birth, but in Acts 2:36 he becomes Christ at the resurrection, while in Acts 3:20 it seems his messiahship is active only at the parousia, the "second coming"; similarly, in Luke 2:11 he is the Saviour from birth, but in Acts 5:31 [47] he is made Saviour at the resurrection; and he ...
The Benedictus, in Luke 1:68–79, [137] is spoken by Zechariah, while the Nunc dimittis, in Luke 2:29–32, [138] is spoken by Simeon. [139] The traditional Gloria in Excelsis is longer than the opening line presented in Luke 2:14, [ 140 ] and is often called the "Song of the Angels" given that it was uttered by the angels in the Annunciation ...
Mary's Magnificat, recorded only in Luke's Gospel, is one of four hymns, distilled from a collection of early Jewish-Christian canticles, which complement the promise-fulfillment theme of Luke's infancy narrative. These songs are Mary's Magnificat; Zechariah's Benedictus (1:67–79); the angels' Gloria in Excelsis Deo (2:13–14); and Simeon's ...
In Luke, he forgives his killers, reassures the penitent thief, and commends his spirit to the Father. In John , he speaks to his mother, says he thirsts, and declares the end of his earthly life. This is an example of the Christian approach to the construction of a gospel harmony , in which material from different gospels is combined ...