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[6] [7] [8] Billboard categorizes an artist as "Latin" if they perform in Spanish or Portuguese. [9] Music journalists and musicologists define Latin music as musical styles from Spanish-speaking areas of Latin America and from Spain. [10] [11] Music from Brazil is usually included in the genre and music from Portugal is occasionally included ...
Flor y Canto Segunda Edición is a hymnal which includes 737 hymns and songs in Spanish in a variety of styles, representing music from the Americas, Mexico, Spain, Guatemala, Nicaragua, and Puerto Rico. 'Flor y Canto' is Spanish for 'flower and song'. Flor y Canto Segunda Edición was compiled by Rodolfo López. The second edition was ...
For songs that are recorded in Spanish, please use the category, Songs in Spanish. Subcategories This category has the following 18 subcategories, out of 18 total.
The reason given is: This can be expanded from articles listed at Category:Spanish musicians. Please help update this article to reflect recent events or newly available information. ( June 2024 )
Capriccio espagnol, Op. 34, is the common Western title for a five movement orchestral suite, based on Spanish folk melodies, composed by the Russian composer Nikolai Rimsky-Korsakov in 1887. It received its premiere on 31 October 1887, in St. Petersburg, performed by the Imperial Orchestra conducted by the composer. [ 1 ]
Cante jondo (Spanish: [ˈkante ˈxondo]) is a vocal style in flamenco, an unspoiled form of Andalusian folk music. The name means "deep song" in Spanish, with hondo ("deep") spelled with J (Spanish pronunciation:) as a form of eye dialect, because traditional Andalusian pronunciation has retained an aspirated H lost in other forms of Spanish.
In June 2017, following the number one peak of "Despacito" in the Hot 100, Philip Bump of The Washington Post related the increasing success of Spanish-language songs in the United States since 2004 with the growth of its Spanish-speaking population, highlighting an improvement from 4.9% in 1980 to 11.5% in 2015. [11]
The Spanish classical composer Manuel de Falla (1876–1946) was the principal organizer of the Concurso. [3] He sought to encourage and enhance the music of cante jondo (literally "deep song", referring to a key element of flamenco, as opposed to "cante chico", the "lighter" more accessible element), which he sensed had fallen into a period of decadence. [4]