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The poem employs alliteration, anaphora, simile, satire, and internal rhyme but no regular end rhyme scheme. However, lines 1 and 2 and lines 6 and 8 end with masculine rhymes. Dickinson incorporates the pronouns you, we, us, your into the poem, and in doing so, draws the reader into the piece. The poem suggests anonymity is preferable to fame.
It is normally dramatic, with various characters. [1] Narrative poems include all epic poetry, and the various types of "lay", [2] most ballads, and some idylls, as well as many poems not falling into a distinct type. Some narrative poetry takes the form of a novel in verse. An example of this is The Ring and the Book by Robert Browning.
Poetry (from the Greek word poiesis, "making") is a form of literary art that uses aesthetic and often rhythmic [1] [2] [3] qualities of language to evoke meanings in addition to, or in place of, literal or surface-level meanings. Any particular instance of poetry is called a poem and is written by a poet.
Rondel (or roundel): a poem of 11 to 14 lines consisting of 2 rhymes and the repetition of the first 2 lines in the middle of the poem and at its end. Sonnet: a poem of 14 lines using any of a number of formal rhyme schemes; in English, they typically have 10 syllables per line. Caudate sonnet; Crown of sonnets (aka sonnet redoublé) Curtal sonnet
A long poem that narrates the victories and adventures of a hero. Such a poem is often identifiable by its lofty or elegant diction. [11] epic simile epic theater epigraph 1. An inscription on a statue, stone, or building. 2. The legend on a coin. 3. A quotation on the title page of a book. 4. A motto heading a new section or paragraph. [2]
Key to the ambitions of Paradise Lost as a poem is the creation of a new kind of epic, one suitable for English, Christian morality rather than polytheistic Greek or Roman antiquity. This intention is indicated from the very beginning of the poem, when Milton uses the classical epic poetic device of an invocation for poetic inspiration.
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One might think of a poem as, in the words of William Carlos Williams, [2] a "machine made of words." [3] A reader analyzing a poem is akin to a mechanic taking apart a machine in order to figure out how it works. There are many different reasons to analyze poetry.