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In the 20th century, one such canon is the Cantus in Memoriam Benjamin Britten by Arvo Pärt (1976). [1] Additionally, Larry Polansky has written numerous four-voice prolation canons whose melodies are permutations of a limited number of elements, and Mark Alburger , in Immortality from San Rafael News , directly maps a new melody into the ...
The four voices each sing in a different mensuration. For instance, in the first "Kyrie", the four voices sing in the meters 2/2, 3/2, 6/4, and 9/4 respectively (in modern notation). Thus, the second voice, in 3/2, sings the same tune as the first voice, in 2/2, but half again as slowly, so the voices gradually pull apart.
The opening Kyrie of Josquin's mass contains consecutive mensuration canons based on each phrase of the L'homme armé tune, with the tenor leading each and the other voices entering in turn. [7] The second of the three of Agnus Dei sections is another well-known mensuration canon (see example); this particular canon was famous in the sixteenth ...
[1] [2] [3] Only in the 16th century did the word "canon" begin to be used to describe the strict, imitative texture created by such a procedure. [2] The word is derived from the Greek "κανών", Latinised as canon, which means "law" or "norm". In contrapuntal usage, the word refers to the "rule" explaining the number of parts, places of ...
The system of note types used in mensural notation closely corresponds to the modern system. The mensural brevis is nominally the ancestor of the modern double whole note (breve); likewise, the semibrevis corresponds to the whole note (semibreve), the minima to the half note (minim), the semiminima to the quarter note (crotchet), and the fusa to the eighth note (quaver).
Another class of eye music is when the score is purposely made difficult for the performer. [1] For example, in Benedetto Marcello's cantata Stravaganze d’amore, the continuo part is written entirely in enharmonic chords, that is, "puns" of chord indications spelled with no regard to the key of the rest of the ensemble, but (in equal temperament) indistinguishable audibly from those spelled ...
The Polish canon is more traditional than the Western canon, which has undergone certain re-evaluations over the past few decades (e.g., including more works by women and previously marginalized minorities). [1] According to Wilczek, the Polish canon continues in a conservative and traditionalist tradition (privileging patriarchal, male ...
Picasso, Girl with a Mandolin (Fanny Tellier) (1910), oil on canvas, 100.3 × 73.6 cm, Museum of Modern Art, New York. The Western canon is the embodiment of high-culture literature, music, philosophy, and works of art that are highly cherished across the Western world, such works having achieved the status of classics.