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"Say Yes" is a song by performed by Floetry, issued as the second single from their debut studio album Floetic. It was written by lead singer Marsha Ambrosius along with Andre Harris, [2] and was produced by Harris. [3] The song was the group's only single to chart on the Billboard Hot 100, peaking at #24 in 2003. [4]
Their song "Where's The Love" was featured in the best-known 2003 film Bringing Down the House. Reviewers of the album praised Floetry for their skillful writing, soulful sound infused with funk and R&B and representing the English R&B scene that was emerging. [4] Floetry released a live album titled Floacism in 2003.
Natalie "the Floacist" Stewart (born 13 February 1979) is an English rapper, singer, songwriter, spoken word artist, poet, and actress. Born in Germany and raised in London, she performed in various singing and dancing competitions as a child, and rose to fame in the early 2000s as part of the R&B girl-duo Floetry.
Floetic is the debut studio album by the English R&B duo Floetry, released by DreamWorks Records in the United States on 1 October 2002 and on Polydor Records in the United Kingdom on 25 November 2002.
Say Yes, a 2001 South Korean horror film "Say Yes" ( The Walking Dead ) , a 2017 television episode of The Walking Dead Say Yes demonstrations , a series of Australian political demonstrations
"Floetic" is the debut single by Floetry, released in August 2002. It is from their debut studio album Floetic, and was written primarily by lead singer Marsha Ambrosius. The song contains a sample of the Jack Bruce cover of Mel Tormé ' s song "Born to Be Blue". It peaked at No. 29 on the Billboard R&B chart in 2002. [2]
"Say Yes" is a song by American singer Michelle Williams, taken from her fourth studio album Journey to Freedom (2014). It features Williams' former Destiny's Child groupmates Beyoncé and Kelly Rowland. The song was written by Williams, Carmen Reece, Al Sherrod Lambert and Harmony Samuels who also produced it.
Kellman also remarked that the "live arrangements are competent enough, but they're not all that exceptional, and they often seem to be present only for the sake of musicality (as in, 'See -- we write songs; we don't make tracks')."