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In the fixed-tone pattern type of verse, poems were written according to preexisting models known as "tunes". This was the case with the ci and the qu: an individual poem was written so that its tone pattern (and line lengths) were the same as one of the model types, the poetic variation was in the change in the particular wording of the lyrics.
Poetic Diction is a style of writing in poetry which encompasses vocabulary, phrasing, and grammatical usage. Along with syntax, poetic diction functions in the setting the tone, mood, and atmosphere of a poem to convey the poet's intention. Poetic devices shape a poem and its meanings.
The diction, including the word "snatching", gives the reader a mental picture of someone quickly and effortlessly grabbing something, which proves once again Charlie's pride in himself. The "smug smirk" provides a facial imagery of Charlie's pride. In addition, using imagery in a poem is helpful to develop a poem's tone.
The English word "trapeze" is an example of an iambic pair of syllables, since the word is made up of two syllables ("tra—peze") and is pronounced with the stress on the second syllable ("tra—PEZE", rather than "TRA—peze"). A line of iambic pentameter is made up of five such pairs of short/long, or unstressed/stressed, syllables.
The turn in poetry has gone by many names. In "The Poem in Countermotion", the final chapter of How Does a Poem Mean?, John Ciardi speaks thus of the "fulcrum" in relation to the non-sonnet poem "O western wind" (O Western Wind/when wilt thou blow/The small rain down can rain//Christ! my love were in my arms/and I in my bed again): 'The first two lines are a cry of anguish to the western wind ...
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In poetry, a stanza (/ ˈ s t æ n z ə /; from Italian stanza, Italian:; lit. ' room ') is a group of lines within a poem, usually set off from others by a blank line or indentation. [1] Stanzas can have regular rhyme and metrical schemes, but they are not required to have either. There are many different forms of stanzas.
Other than the function of emphasizing ideas, the use of anaphora as a rhetorical device adds rhythm to a word as well as making it more pleasurable to read and easier to remember. Anaphora is repetition at the beginning of a sentence to create emphasis. Anaphora serves the purpose of delivering an artistic effect to a passage.
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