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Three silk cords per braid were braided in, with gold bark attached along their length. These cords were called ṣafa. Pendants, coins, tassels of pearls, and emerald or coral beads would be attached to the ends of the cords. The braids of cord were also sometimes attached to a silk band and tied around the head to form a braided wig. [33]
There were three main types of pattens. One of these types had a wooden 'platform' sole raised from the ground, either with wooden wedges or iron stands. A second variant had a flat wooden sole, often hinged. The third type had a flat sole made from stacked layers of leather. Some later European varieties of these pattens had a laminated sole ...
The dress set wedding fashion trends after the wedding. Large puffed sleeves, a full skirt and "soft touch fabrics" became popular requests. [17] Copies by other dressmakers were available "within hours" of the 1981 wedding. [18] Many bridal experts considered the dress a "gold standard" in wedding fashion in the years after the wedding. [19]
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Embellishments used in lehenga-style saris' patterns include silver embroidery, golden embroidery, metal beads, real pearls, wood beads, glass beads, mirror work, lace work, Kundan, sequins, glittering stones, and zardozi. Mostly rich fabrics like silk, georgette, brasso, brocade, chiffon, crepe, etc., are used in the making of a lehenga-style sari
Shoes for men and women were flat, and often slashed and fastened with a strap across the instep. They were made of soft leather, velvet, or silk. Broad, squared toes were worn early, and were replaced by rounded toes in the 1530s. Toward the middle of the century, shoes became narrower and were shaped naturally to the foot. [31]
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