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In this song they warn each other not to behave indiscreetly, lest people misinterpret their intentions. Neither wants to admit to the other his or her true feelings. Towards the end of the musical the characters reprise the number after becoming engaged, saying "Let people say we're in love." and also the whole ensemble in the curtain epilogue.
"Oklahoma" is the title song from the 1943 Broadway musical Oklahoma!, named for the setting of the musical play. The music and lyrics were written by Richard Rodgers and Oscar Hammerstein II. The melody is reprised in the main title of the 1955 film version and in the overtures of both film and musical productions.
"Many a New Day" is a song from the 1943 musical Oklahoma!, written by Richard Rodgers and Oscar Hammerstein II. It was introduced by Joan Roberts in the original Broadway production. In the 1955 film, the song is performed by Shirley Jones and appears on the soundtrack album.
Oklahoma! is the first musical written by the duo of Rodgers and Hammerstein.The musical is based on Lynn Riggs's 1931 play, Green Grow the Lilacs.Set in farm country outside the town of Claremore, Indian Territory, in 1906, it tells the story of farm girl Laurey Williams and her courtship by two rival suitors, cowboy Curly McLain and the sinister and frightening farmhand Jud Fry.
Less than two weeks ahead of his biggest U.S. tour to date, Zach Bryan has unveiled a cinematic video for “Oklahoma Smokeshow,” a track from his 2022 EP Summertime Blues. The clip was directed ...
"Lonely Room" is a tune from Rodgers and Hammerstein's 1943 musical Oklahoma!, sung not too long after "Pore Jud Is Daid.” "Lonely Room" is Jud Fry's declaration that he will get out of his smokehouse and get Laurey Williams to be his own. [1] He states how tired he is of the dirtiness of his smokehouse and how he longs for a girl of his own.
"The Surrey with the Fringe on Top" is a show tune from the 1943 Rodgers and Hammerstein musical Oklahoma!. [1] [2] The piece was recorded in 1952 by jazz pianist Ahmad Jamal, which influenced trumpeter Miles Davis to include it in his repertoire in the 1950s, [3] which probably motivated other jazz musicians to play it. [4]
As with Luhrmann's 2001 movie, the jukebox musical, which won the 2021 Tony for best musical, mashes up 160 years of popular music, from famed can-can composer Jacques Offenbach to present-day pop ...